Trumbo, and scores of other Hollywood writers, actors, and producers – from Ronald Reagan and Walt Disney to John Wayne and Humphrey Bogart – were called to testify before the committee, either “to confess” their political beliefs and affiliations or “to name names” of those who were Communists or “fellow travelers.” The world of Hollywood began to internally combust, however, in October of 1947, when The House Un-American Activities Committee (HUAC), a House of Representatives committee formed in the late 1930s to combat Nazism, came to Hollywood to investigate the influence of Communism in the film industry. By the late 1940s, when Hollywood was at its height of popularity in American culture, Trumbo was one of its most sought-after – and wealthy – scriptwriters.

Soon, Trumbo was writing his own scripts and he proved to be fast, versatile, and prolific, working successfully in a wide range of genres, from the college romance Sorority House (1939), to the soap-operaish Kitty Foyle (1940) – which was his first Oscar-nominated screenplay, to the patriotic war film Thirty Seconds Over Tokyo (1944). His big break in Hollywood came in 1935 when he was hired by Warner Brothers studio as a script reader. By the early 1930s, however, he was beginning to be successful, publishing in national magazines such as Vanity Fair and The Saturday Evening Post. While a college student he chose writing as a career but juggled several part-time jobs while piling up rejection letters from his short stories and novels. Trumbo covers several years in the life of Dalton Trumbo, an award-winning, highly-respected Hollywood screenwriter who was blacklisted from the movie industry for over a decade after running afoul of the House Committee on Un-American Activities (HUAC) for his left-of-center political views.īut some may wonder: who was the historical Dalton Trumbo? And what was the McCarthy Era and The Blacklist? And why should we care?īorn in 1905 in western Colorado to a working-class family, Trumbo moved to Los Angeles with his parents in 1925. Trumbo arrives at the RFC this week, a film that presents a darkly-comic view of one of the least-comic periods in American history, the McCarthy era of the 1940s and 50s.

The brave one 1957 film